Marianne Murphy Zarzana
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A Farewell Poem to Honor Dicksy Howe-Noyes, Professor Emeritus, SMSU

5/7/2011

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What Dicksy Found at the Library

-For Dicksy Howe-Noyes, May 2011

From the first, she found herself
at home in the stacks,
embraced by books,
by government docs,
by all those words
and all those worlds,
her rich treasure-trove.
                                    
Later, she found herself
at home in the classroom
with a passion,
a creative knack
for teaching students
how to navigate
the information highway,
how to hang on tight
for the rocket-ride
of research, discovery.


And she found her spirit
much at home in a team
of Global Studies profs
prepping students
for travel far
from the prairie,
far from the safety
of preconceived notions,
of limited, parochial plans. 


Always, she found herself
at home with change,
hungry to learn more,
to seek a better way to help
others map their future,
never content to stay still,
always moving, reaching
for another reference book,
turning the page to find
a new idea to spark learning,
to open hearts to all they might
hold while traveling through
this spacious, shining universe.

 -Marianne Murphy Zarzana

If you know Dicksy as a fellow SMSU colleague, as a library instructor, or in another capacity through the library, please mail her a note or card (to the SMSU Library) to congratulate her on her retirement from SMSU this spring and to wish her well with all her new creative adventures.

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For All the Graduates

5/6/2011

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Tomorrow is the Commencement 2011 at Southwest Minnesota State University. After graduation practice this afternoon, I talked to two of my creative writing seniors getting ready to launch themselves out into the world. One is both thrilled and terrified about attending a two-month writers' workshop at the University of Iowa this summer in their legendary writing program. The other is working at a job that provides abundant material for writing if not financial gain. They're both gifted, hard-working and courageous writers. I don't know where life will take them, but I know they're more than ready to move beyond the safe harbor of SMSU.

"Twenty years from now you will be more disappointed by the things that you didn't do than by the ones you did do. So throw off the bowlines. Sail away from the safe harbor. Catch the trade winds in your sails. Explore. Dream. Discover."    -Mark Twain

Visit Jim Zarzana's website and Eclectic Blog to read his riff on graduation: www.jameszarzana.com.
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"The tao of touch" by Marge Piercy

5/5/2011

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"Touch is our first language," writes novelist and poet Marge Piercy in her poem "The tao of touch" posted on today's Writer's Almanac with Garrison Keillor. 

"We touch each other so many / ways, in curiosity, in anger, / to command attention, to soothe, / to quiet, to rouse, to cure," writes Piercy.

Tonight as I drove to my office to grade creative writing portfolios, PR media kits and freshmen comp research papers, I passed Project Turnabout Halfway House. A huddle of twenty-something young men barreled out a side door, probably thirsty for fresh spring air after being pent up in an intense session facing the demons of addiction. I noticed one guy with a shaved head grin and then body-slam into another guy's back. Touch. Connection. The macho-male southwest Minnesota version.  The tao of touch in treatment. What we crave, as Piercy writes. What heals. 
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Invitation to Chairing of the Bard

5/4/2011

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I'm passing this on from poet John Rezmerski:
Poets, Friends of Poets, Fans of Poetry. . . .
On Sunday, June 26, 2011, a hand-carved chair will be ceremonially awarded, along with
a cash prize,  to the victor in a bardic competition at the Fifth Annual Cambria Eisteddfod
at Morgan Creek Vineyards
, located near the town of Cambria (between Mankato and New
Ulm, just off Highway 68). Each year, poets submit manuscripts to a panel of judges, who
select five finalists to compete in oral presentations of their work. The judges then select a
winner, who is ceremonially seated on the hand-carved oak chair and formally inducted as
a bard. The event includes an afternoon music (contemporary and traditional Celtic tunes),
recitations by other poets, and opportunities for winery tours and wine-tastings. Food from
the winery's oven is also available, but you are welcome to bring a picnic lunch. Poetry
books will also be offered for sale. If you have Celtic garb, by all means dress up.


This family-oriented activity raises funds to support the Blue Earth County Historical
Society's efforts to keep alive the ethnic heritage of the area, which was settled by Welsh
immigrants who began to arrive in the mid-1800's, bringing with them the tradition of
competitions in music and poetry, always culminating in the awarding of a bardic chair.
The word "eisteddfod" means "chairing" in the Welsh language, but similar events have
been traditionally held in all of the Celtic countries, and in many other locales world-
wide. We call the  Blue Earth County event a Pan-Celtic Eisteddfod, honoring not only
the Welsh heritage, but also the Scottish and Irish immigrant traditions. This year's
competition has an Independence Day theme (at least one of the poems in each entrant's
submission must relate to that theme), and the winner's Independence Day poem will
also be publicly presented at Cambria's July Fourth celebration.

 
Other sponsorship is supplied by Morgan Creek Vineyards (which provides the venue, the chair carved by Morgan Creek's Adam Marti, and the musical expertise of Ben and
Georg Marti, also members of the family who own and operate the vineyards and winery),
and from KMSU radio. The League of Minnesota Poets recruits judges and helps to
publicize the Eisteddfod state-wide.

We hope you will be able to join us—or if you cannot, that you will  spread the word about
this lively event promoting the art of poetry, featuring some of Minnesota's finest poets.

Previous winners have been the widely published and award-winning poets Doris Stengel
(Brainerd), Sharon Chmielarz (Brooklyn Park), Norita Dittberner-Jax (St. Paul), and Angela
Foster (Pine City). The competition is open to any poet from Minnesota and adjacent
states, and entries must be postmarked by May 27, 2011. If you receive this invitation, but
do not wish to enter the competition, and if you cannot attend, please pass it along  to
someone else.

Cambria Eisteddfod 2011 Competition for Bardic Chair: Rules

1. Competition is open to anyone who has resided in Minnesota or an adjacent state for at least one year, regardless of experience, education, or publication record.  Entrants should be aware that the bardic tradition demands a high degree of skill and serious content. Bards are traditionally keepers and transmitters of cultural wisdom, and provide public commentary. Humor and satire are welcome, but the subjects and styles of the poems submitted should be essentially significant.
2. Entrants should submit three to five poems, at least one of which must address this year’s contest theme: Independence Day. This thematic poem should relate to the significance of, or celebration of, the original occasion of the Declaration of Independence, or relate to manners, customs, or events associated with the annual Fourth of July holiday. Celebration of the achievement of someone’s personal independence is not sufficient. Poems may be in either formal verse or free verse. Each poem should be separately titled.
3. The written text submitted should not exceed seven pages. Each poem should be typed single-spaced in a single column, in 12-point characters on plain white paper, one side only (no fancy fonts). No more than one poem should appear on any page.
4. All work submitted must be the contestant’s original work, published or unpublished, but the submitted manuscripts must not be photomechanical copies of published pages. No submitted poems should contain references that could reveal the author’s identity to a judge; proper names of persons should be replaced by pseudonyms. The actual names may be reinstated by finalists during the oral presentation phase of the contest.
5. Two stapled copies of the manuscript must be submitted. One should contain the poet’s name, address, and phone number or email address in the upper left corner of the first page. The other copy should contain no marks indicating the author’s identity.

6. Entries should be accompanied by an entry fee of $25. Checks should be made out to “Blue Earth County Historical Society” (no cash or money orders, please). Manuscripts, identifying sheets, and checks should be sent together, unfolded, in a single envelope to John Rezmerski, 210 Woodhaven Lane, Mankato, MN 56001. Manuscripts will not be returned. For acknowledgement of receipt, please include a self-addressed postcard.
7. Finalist status is subject to commitment to perform submitted work at the Eisteddfod on June 26, 2011. If a contestant is unable to appear, judges may designate a replacement finalist from among the other entrants. Finalists, by accepting their awards, are agreeing to permit their Independence Day poems to be publicly read at the Cambria Fourth of July Celebration.
8. Each finalist will recite his or her work on stage. Presentations may last 3-5 minutes. Performances that do not fall within the time limits will be disqualified. Finalists should carefully rehearse their complete performances to be sure they fit the prescribed time. The oral performance must include the qualifying Independence Day poem referred to in rule #2, and other selections from the written manuscript submitted for preliminary judging. Poems not previously submitted should not be used in the performance. Memorization is not required. Judges are instructed not to downgrade performers for using a manuscript, but they will consider the performer’s skill at maintaining audience rapport. No props or costumes are permitted.
9. Entry implies acceptance of these rules and conditions of the contest; decisions of the judges at each stage of the competition shall be final. No refunds of  entry fees will be made to contestants who withdraw from the competition. Address any questions to rez@gac.edu<mailto:rez@gac.edu>, or call 507-345-5876.
10. Written entries must be postmarked by May 31, 2011. Finalists will be notified by June 14.
11. Each finalist will receive an award of $50.00. The winner’s prize of an oak chair is not a rotating trophy, but is the winner’s to keep.


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Words for our Great River Poetry Reading and Community Writing Workshop by Florence Chard Dacey - May 16

5/3/2011

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SMAHC, the Southwest Minnesota Arts and Humanities Council, does great work in small and large ways to support the arts out here on the prairie. 

As stated on their website, SMAHC "seeks to encourage the growth and development of the arts and humanities in SW Minnesota by serving as a source of funds and technical services which enable local organizations, educational institutions and individuals to sponsor and/or create and promote the arts and humanities in their communities."

At SMSU, we appreciate all the financial support SMAHC has given over the years to fund visiting writers and writing festivals. 

I receive their bi-monthly Voices newsletter by email, a great way to keep up to date on local arts events and opportunities. Below is an upcoming event I encourage others to attend. Florence is a gifted writer and teacher.

May 16: "Words for our Great River" Poetry Reading and Community Writing Workshop led by author Florence Chard Dacey. For teens and adults. No previous creative writing experience is needed. Dacey will share some of her poems about the Minnesota River from 6 - 8 p.m. at the Redwood Falls Public Library, 509 South Lincoln, Redwood Falls. Free. Registration limited to 30. Pre-register by calling the Redwood Falls Library at 507-627-8650, by calling CURE (Clean Up Our River Environment) at 320-839-2494, or email dixie@cureriver.org
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"Somebody Loves Us All"

5/2/2011

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Poetry Foundation has posted an interview with this year's 2011 Poetry Out Loud winner Youssef Biaz. He read his favorite poem (and one of mine), "Filling Station," by Elizabeth Bishop  [click on title to hear Bishop's wonderful reading of it], one of the most highly revered American poets of the last 50 years. 

Here's an excerpt from the interview:
What would you tell students interested in Poetry Out Loud who may not have participated?
I would encourage them even if they don’t have an interest in poetry. Public speaking is a wonderful skill, and it’s a wonderful feeling to be able to communicate a message to an audience.


According to the website, "Biaz was introduced to poetry through his English teacher, Davis Thompson, who brought the Poetry Out Loud program to students at Auburn High School in Auburn, Alabama last year—the first year that Biaz served as Alabama State Champion and became a national finalist."

I hope the Poetry Out Loud program keeps flourishing in the years ahead. It takes dedicated high school English teachers like Thompson to nurture talented students like Youssef and make it happen. I like this video, "What Teachers Make," by Taylor Mali, that one of my writing students shared with me last year. Mali captures the impact of a good teacher with skill and humor. 

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"If I Should Have a Daughter..."

5/1/2011

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You may know about TED.com, the website that posts short videos of inspiring people in many different fields with "Ideas Worth Spreading," as their tagline goes. 

Writer Elizabeth Gilbert, the author of Eat, Pray, Love, has a moving and memorable TED talk on "Nurturing Creativity."

Sarah Kay, a spoken word poet, gave a TED talk in March titled "If I Should Have a Daughter....". In it, Kay "tells the story of her metamorphosis -- from a wide-eyed teenager soaking in verse at New York's Bowery Poetry Club to a teacher connecting kids with the power of self-expression through Project V.O.I.C.E. -- and gives two breathtaking performances of 'B' and 'Hiroshima,'" as noted on the website. 

Poets and writers may have a wide range of views on spoken word poetry, but it's a form that's both old and brand-new. In my creative writing classes, I show clips of today's best spoken word performers so my students can get a sense of the spectrum of poetry being presented today. 

At the SMSU Marshall Festival 2010 last fall, writer and spoken word poet Ed Bok Lee gave an electrifying performance. Here's what's been written about Lee:
 
"If there was a Minnesota spoken word performer who embodied Rockstardom...it’s Ed Bok Lee. His performance sparked some of the unconscious verbal feedback that spoken word elicits from its audiences, the sort of sighs and shouts that would be heard throughout the evening." 
-- MN Microphone


"A potent voice for young immigrants and their second- and third-generation peers, poet Ed Bok Lee’s...galloping imagination…describes what it's like to be part of a global generation." 
--Minneapolis Star Tribune 


What do you think of spoken word poetry? Who are your favorite performance poets? As writers and poets who perform our work, what can we learn from the best spoken word poets?

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    Author

    I love to play with words. To capture moments on the page. To explore the physical and spiritual geography of what I call "fly-over country." I write from imagination, observation and my own experience of wandering in fly-over country--the literal, physical spaces of my life on the Minnesota prairie and the inner territory of the soul. 

    I teach writing at Southwest Minnesota State University in Marshall, Minnesota. I enjoy cooking and traveling with my husband Jim, reading, practicing yoga, playing tennis, biking, hiking and gardening.

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